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	<title>The MISP Screenwriting Blog &#187; Steven Zaillian</title>
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		<title>The pleasure of well written invectives</title>
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		<pubDate>Mon, 16 Dec 2019 17:22:27 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Movie Speeches]]></category>
		<category><![CDATA[Aaron Sorkin]]></category>
		<category><![CDATA[Steven Zaillian]]></category>

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		<description><![CDATA[When we think of movie speeches, we usually think of inspirational speeches: for example, the one by coach D’Amato (Al Pacino) in Any Given Sunday, or the one by William Wallace in Braveheart. We tend&#8230;]]></description>
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		<title>When one beat makes all the difference</title>
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		<pubDate>Fri, 07 Apr 2017 08:42:49 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Scene analysis]]></category>
		<category><![CDATA[Subtext]]></category>
		<category><![CDATA[Steven Zaillian]]></category>

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		<description><![CDATA[Sometimes one beat makes all the difference. There are scenes in which the smallest unit of action or dialogue changes everything. Take out the particular brushstroke and the picture is no longer the same. This&#8230;]]></description>
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		<title>Slow Pacing in &#8216;The Night Of&#8217;</title>
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		<pubDate>Thu, 09 Feb 2017 20:43:48 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Television Shows]]></category>
		<category><![CDATA[Steven Zaillian]]></category>

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		<description><![CDATA[Pace. Not a frequent topic in screenwriting discussions and analyses, yet an important element nevertheless. It’s something relevant to story tension, something important for suggesting the level of pressure typical of a particular dramatic arena.&#8230;]]></description>
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