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	<title>The MISP Screenwriting Blog &#187; Structure</title>
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		<title>The Worst Point seen through the character’s eyes</title>
		<link>https://www.screenwritersbreakdown.com/the-worst-point-seen-through-the-characters-eyes/</link>
		<comments>https://www.screenwritersbreakdown.com/the-worst-point-seen-through-the-characters-eyes/#comments</comments>
		<pubDate>Mon, 20 May 2019 10:19:59 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Structure]]></category>
		<category><![CDATA[The Worst Point]]></category>

		<guid isPermaLink="false">http://www.screenwritersbreakdown.com/?p=749</guid>
		<description><![CDATA[The Worst Point is the structural step in a screenplay where the main character experiences failure. Act II ends there. Screenwriting gurus have thought up many ways to describe this critical moment. It’s when all&#8230;]]></description>
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		<title>Talking About Midpoint</title>
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		<pubDate>Sun, 13 May 2018 09:13:09 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Structure]]></category>

		<guid isPermaLink="false">http://www.screenwritersbreakdown.com/?p=685</guid>
		<description><![CDATA[Every screenwriting handbook offers its own conception of this structural step. In fact, the first reason to have a Midpoint – i.e., something strong – at the middle of Act II is to feed viewers’&#8230;]]></description>
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		<title>A structure for female characters?</title>
		<link>https://www.screenwritersbreakdown.com/a-structure-for-female-characters/</link>
		<comments>https://www.screenwritersbreakdown.com/a-structure-for-female-characters/#comments</comments>
		<pubDate>Sun, 30 Apr 2017 07:16:28 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Structure]]></category>
		<category><![CDATA[Chris Vogler]]></category>

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		<description><![CDATA[Room, Jackie, Brooklyn, Star Wars: The Force Awakens, Rogue One, The Crown… So many stories recently with female protagonists. Now the question becomes: Is there a specific structure for films or TV series featuring not&#8230;]]></description>
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