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	<title>The MISP Screenwriting Blog &#187; Rewriting</title>
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		<title>A Wonderful Video Essay on the Development of the Star Wars Screenplay</title>
		<link>https://www.screenwritersbreakdown.com/a-wonderful-video-essay-on-the-development-of-the-star-wars-screenplay/</link>
		<comments>https://www.screenwritersbreakdown.com/a-wonderful-video-essay-on-the-development-of-the-star-wars-screenplay/#comments</comments>
		<pubDate>Tue, 03 Apr 2018 08:50:14 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Star Wars]]></category>

		<guid isPermaLink="false">http://www.screenwritersbreakdown.com/?p=673</guid>
		<description><![CDATA[Joseph Campbell’s sophisticated narrative theory? Okay. Kurosawa’s The Hidden Fortress as a model on which to set up the story? Yes. An author who senses the weltanschauung and capitalizes on contemporary fascination with New Age&#8230;]]></description>
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		<title>From spec to film: &#8216;The Post&#8217;</title>
		<link>https://www.screenwritersbreakdown.com/from-spec-to-film-the-post/</link>
		<comments>https://www.screenwritersbreakdown.com/from-spec-to-film-the-post/#comments</comments>
		<pubDate>Mon, 05 Mar 2018 12:10:21 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Steven Spielberg]]></category>

		<guid isPermaLink="false">http://www.screenwritersbreakdown.com/?p=666</guid>
		<description><![CDATA[From spec to shooting script, from first draft to movie…a long journey. Metaphor aside, and in concrete terms of screenwriting, the distance consists of many drafts and many changes to the story. To improve it.&#8230;]]></description>
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		<title>&#8216;The Fugitive&#039;: using one line of dialogue to convey characterization</title>
		<link>https://www.screenwritersbreakdown.com/the-fugitive-using-one-line-of-dialogue-to-convey-characterization/</link>
		<comments>https://www.screenwritersbreakdown.com/the-fugitive-using-one-line-of-dialogue-to-convey-characterization/#comments</comments>
		<pubDate>Wed, 25 Oct 2017 08:31:02 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Character]]></category>
		<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Rewriting]]></category>

		<guid isPermaLink="false">http://www.screenwritersbreakdown.com/?p=627</guid>
		<description><![CDATA[  You know the rule of thumb: reduce dialogue as much as you can in your script. Whenever possible, avoid it. Sometimes, though, one line of dialogue is better than a silent beat. For example,&#8230;]]></description>
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		<title>Punching up ‘Indiana Jones and the Last Crusade’</title>
		<link>https://www.screenwritersbreakdown.com/punching-up-indiana-jones-and-the-last-crusade/</link>
		<comments>https://www.screenwritersbreakdown.com/punching-up-indiana-jones-and-the-last-crusade/#comments</comments>
		<pubDate>Fri, 15 Apr 2016 08:35:39 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Indiana Jones]]></category>
		<category><![CDATA[Tom Stoppard]]></category>

		<guid isPermaLink="false">http://www.screenwritersbreakdown.com/?p=427</guid>
		<description><![CDATA[“To punch up a screenplay” primarily means to add humor and jokes to it. It’s an aspect of the re-writing process that in Hollywood is often asked to a different writer from the author of&#8230;]]></description>
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		<title>THE MEET CUTE IN &#8216;AMERICAN SNIPER&#8217;</title>
		<link>https://www.screenwritersbreakdown.com/the-meet-cute-in-american-sniper/</link>
		<comments>https://www.screenwritersbreakdown.com/the-meet-cute-in-american-sniper/#comments</comments>
		<pubDate>Wed, 04 Nov 2015 11:21:07 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Meet cute]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Scene analysis]]></category>
		<category><![CDATA[American Sniper]]></category>

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		<description><![CDATA[How do you improve a scene? Here is an example from American Sniper. The meet cute between navy SEAL Chris Kyle (Bradley Cooper) and his future wife Taya (Sienna Miller) in the bar where soldiers&#8230;]]></description>
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		<slash:comments>4</slash:comments>
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		<title>The great task of writing, according to William Nicholson</title>
		<link>https://www.screenwritersbreakdown.com/the-great-task-of-writing-according-to-william-nicholson/</link>
		<comments>https://www.screenwritersbreakdown.com/the-great-task-of-writing-according-to-william-nicholson/#comments</comments>
		<pubDate>Sat, 03 Oct 2015 14:00:16 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Motivation]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Scene analysis]]></category>
		<category><![CDATA[The task of writing]]></category>
		<category><![CDATA[Gladiator]]></category>
		<category><![CDATA[William Nicholson]]></category>

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		<description><![CDATA[Shadowlands, Gladiator, the adaptation of Les Misérables, are few of Nicholson’s scripts. William Nicholson is an insanely talented screenwriter, playwright and novelist… As if this wasn’t enough, he is also a great lecturer, witty and&#8230;]]></description>
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