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	<title>The MISP Screenwriting Blog &#187; Endings</title>
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		<title>Write well, write positive: Lindsay Doran’s take on stories</title>
		<link>https://www.screenwritersbreakdown.com/write-well-write-positive-lindsay-dorans-take-on-stories/</link>
		<comments>https://www.screenwritersbreakdown.com/write-well-write-positive-lindsay-dorans-take-on-stories/#comments</comments>
		<pubDate>Fri, 05 Jul 2019 12:44:37 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Endings]]></category>
		<category><![CDATA[Motivation]]></category>

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		<description><![CDATA[PERMA, acronym for: Positive emotions, Engagement, Relationships, Meaning, Accomplishment. According to psychologist Martin Seligman – exponent of positive psychology  – these are the ingredients of well-being. What’s the relevance of this psychological issue, and of&#8230;]]></description>
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		<title>When a song pays off</title>
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		<pubDate>Thu, 27 Dec 2018 18:52:13 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Endings]]></category>
		<category><![CDATA[Theme]]></category>

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		<description><![CDATA[If you asked me a few days ago for a good example of a song beautifully paying off over a movie’s final credits, my answer [spoiler follows] would have been Gloria Gaynor’s I Will Survive&#8230;]]></description>
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		<title>How much tragedy in Walter White’s ending?</title>
		<link>https://www.screenwritersbreakdown.com/how-much-tragedy-in-walter-whites-ending/</link>
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		<pubDate>Sat, 10 Feb 2018 09:18:51 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antihero]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Endings]]></category>
		<category><![CDATA[Television Shows]]></category>
		<category><![CDATA[Breaking Bad]]></category>

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		<description><![CDATA[This ending is a part of TV history now. (Spoilers ahead.) Walter White, mortally wounded, alone. His hand on the machinery he’d been using to demonstrate his immense talent for cooking meth. The Felina episode&#8230;]]></description>
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		<title>Covering the last mile in &#8216;Brooklyn&#8217;</title>
		<link>https://www.screenwritersbreakdown.com/covering-the-last-mile-in-brooklyn/</link>
		<comments>https://www.screenwritersbreakdown.com/covering-the-last-mile-in-brooklyn/#comments</comments>
		<pubDate>Thu, 07 Jul 2016 08:05:49 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Choices]]></category>
		<category><![CDATA[Endings]]></category>
		<category><![CDATA[Nick Hornby]]></category>

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		<description><![CDATA[A movie ending should never betray the expectations that have been set up and fed until that moment. That’s why the ending of Brooklyn is perfect, due to the changes Nick Hornby made on the&#8230;]]></description>
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