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	<title>The MISP Screenwriting Blog &#187; Antihero</title>
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		<title>How much tragedy in Walter White’s ending?</title>
		<link>https://www.screenwritersbreakdown.com/how-much-tragedy-in-walter-whites-ending/</link>
		<comments>https://www.screenwritersbreakdown.com/how-much-tragedy-in-walter-whites-ending/#comments</comments>
		<pubDate>Sat, 10 Feb 2018 09:18:51 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antihero]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Endings]]></category>
		<category><![CDATA[Television Shows]]></category>
		<category><![CDATA[Breaking Bad]]></category>

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		<description><![CDATA[This ending is a part of TV history now. (Spoilers ahead.) Walter White, mortally wounded, alone. His hand on the machinery he’d been using to demonstrate his immense talent for cooking meth. The Felina episode&#8230;]]></description>
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		<title>The importance of the “dark side” for good drama</title>
		<link>https://www.screenwritersbreakdown.com/the-importance-of-the-dark-side-for-good-drama/</link>
		<comments>https://www.screenwritersbreakdown.com/the-importance-of-the-dark-side-for-good-drama/#comments</comments>
		<pubDate>Thu, 28 Apr 2016 07:10:20 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Antihero]]></category>
		<category><![CDATA[To root for]]></category>
		<category><![CDATA[House of Cards]]></category>

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		<description><![CDATA[Villains, bad guys, monsters, criminals, tyrants, psychopaths, greedy businessmen… I know, by instinct you would conclude: “Ok, I got it: antagonists”. And yet, you would be wrong: in contemporary storytelling, evil is no more an&#8230;]]></description>
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		<title>ANTIHEROES WHO CONNECT: THE CASE OF &#8216;NIGHTCRAWLER&#8217;</title>
		<link>https://www.screenwritersbreakdown.com/antiheroes-who-connect-the-case-of-nightcrawler/</link>
		<comments>https://www.screenwritersbreakdown.com/antiheroes-who-connect-the-case-of-nightcrawler/#comments</comments>
		<pubDate>Thu, 07 Jan 2016 07:30:13 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antihero]]></category>
		<category><![CDATA[To root for]]></category>
		<category><![CDATA[Nightcrawler]]></category>

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		<description><![CDATA[Do you think it’s cool when a villain is the protagonist? Of course it is. Yet it is also a difficult screenwriting task. Here are some excerpts from Nightcrawler script: And later on: And near&#8230;]]></description>
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		<title>Beau Willimon on the movie star entrance</title>
		<link>https://www.screenwritersbreakdown.com/beau-willimon-on-the-movie-star-entrance/</link>
		<comments>https://www.screenwritersbreakdown.com/beau-willimon-on-the-movie-star-entrance/#comments</comments>
		<pubDate>Wed, 28 Oct 2015 07:53:18 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antihero]]></category>
		<category><![CDATA[Scene analysis]]></category>
		<category><![CDATA[To root for]]></category>
		<category><![CDATA[Beau Willimon]]></category>
		<category><![CDATA[House of Cards]]></category>

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		<description><![CDATA[They say that screenwriting is like problem solving. A good scene is the result of a series of problems solved by the writer. An example? Here is how Beau Willimon explains the genesis of the&#8230;]]></description>
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