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	<title>The MISP Screenwriting Blog &#187; Antagonist</title>
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		<title>Antagonists x-rayed</title>
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		<pubDate>Fri, 30 Nov 2018 13:33:29 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Rocky]]></category>

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		<description><![CDATA[The “dangerous liason” between the protagonist and the antagonist. It is a classic topic in screenwriting handbooks and blogs. The same could be said of antagonist classifications, a classic exercise for screenwriting geeks. Since I&#8230;]]></description>
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		<title>From spec to film: &#8216;The Post&#8217;</title>
		<link>https://www.screenwritersbreakdown.com/from-spec-to-film-the-post/</link>
		<comments>https://www.screenwritersbreakdown.com/from-spec-to-film-the-post/#comments</comments>
		<pubDate>Mon, 05 Mar 2018 12:10:21 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Steven Spielberg]]></category>

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		<description><![CDATA[From spec to shooting script, from first draft to movie…a long journey. Metaphor aside, and in concrete terms of screenwriting, the distance consists of many drafts and many changes to the story. To improve it.&#8230;]]></description>
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		<title>Covering the last mile in &#8216;Brooklyn&#8217;</title>
		<link>https://www.screenwritersbreakdown.com/covering-the-last-mile-in-brooklyn/</link>
		<comments>https://www.screenwritersbreakdown.com/covering-the-last-mile-in-brooklyn/#comments</comments>
		<pubDate>Thu, 07 Jul 2016 08:05:49 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Choices]]></category>
		<category><![CDATA[Endings]]></category>
		<category><![CDATA[Nick Hornby]]></category>

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		<description><![CDATA[A movie ending should never betray the expectations that have been set up and fed until that moment. That’s why the ending of Brooklyn is perfect, due to the changes Nick Hornby made on the&#8230;]]></description>
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		<title>The importance of the “dark side” for good drama</title>
		<link>https://www.screenwritersbreakdown.com/the-importance-of-the-dark-side-for-good-drama/</link>
		<comments>https://www.screenwritersbreakdown.com/the-importance-of-the-dark-side-for-good-drama/#comments</comments>
		<pubDate>Thu, 28 Apr 2016 07:10:20 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Antihero]]></category>
		<category><![CDATA[To root for]]></category>
		<category><![CDATA[House of Cards]]></category>

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		<description><![CDATA[Villains, bad guys, monsters, criminals, tyrants, psychopaths, greedy businessmen… I know, by instinct you would conclude: “Ok, I got it: antagonists”. And yet, you would be wrong: in contemporary storytelling, evil is no more an&#8230;]]></description>
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		<title>&#8216;Whiplash&#8217;, coach Fletcher and other great antagonists</title>
		<link>https://www.screenwritersbreakdown.com/whiplash-coach-fletcher-and-other-great-antagonists/</link>
		<comments>https://www.screenwritersbreakdown.com/whiplash-coach-fletcher-and-other-great-antagonists/#comments</comments>
		<pubDate>Wed, 11 Nov 2015 08:05:15 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Whiplash]]></category>

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		<description><![CDATA[Professor Fletcher from Whiplash has entered my personal hall of fame of the best antagonists in movies. Writer-director Damien Chazelle says that in creating the merciless, ultra-exacting master, he was influenced by the way the&#8230;]]></description>
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		<title>The great task of writing, according to William Nicholson</title>
		<link>https://www.screenwritersbreakdown.com/the-great-task-of-writing-according-to-william-nicholson/</link>
		<comments>https://www.screenwritersbreakdown.com/the-great-task-of-writing-according-to-william-nicholson/#comments</comments>
		<pubDate>Sat, 03 Oct 2015 14:00:16 +0000</pubDate>
		<dc:creator><![CDATA[Paolo Braga]]></dc:creator>
				<category><![CDATA[Antagonist]]></category>
		<category><![CDATA[Motivation]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Scene analysis]]></category>
		<category><![CDATA[The task of writing]]></category>
		<category><![CDATA[Gladiator]]></category>
		<category><![CDATA[William Nicholson]]></category>

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		<description><![CDATA[Shadowlands, Gladiator, the adaptation of Les Misérables, are few of Nicholson’s scripts. William Nicholson is an insanely talented screenwriter, playwright and novelist… As if this wasn’t enough, he is also a great lecturer, witty and&#8230;]]></description>
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